The Errancy

Then the cicadas again like kindling that won’t take.

The struck match of some utopia we no longer remember

the terms of—

the rules. What was it was going to be abolished, what

restored? Behind them the foghorn in the harbor,

the hoarse announcements of unhurried arrivals,

the spidery virgin-shrieks of gulls, a sideways sound, a slippery

utterly ash-free

delinquency

and then the subaqueous pasturings inexhaustible

phosphorous handwritings the frothings of their own excitements now

erase, depth wrestling with the current-corridors of depth ...

But here, up on the hill, in town,

the clusterings of dwellings in balconied crystal-formation,

the cadaverous swallowings of the dream of reason gone,

hot fingerprints where thoughts laid out these streets, these braceletings

of park and government—a hospital—a dirt-bike run—

here, we stand in our hysteria with our hands in our pockets,

quiet, at the end of day, looking out, theories stationary,

while the freight, the crazy wick, once more slides down—

marionette-like its being lowered in—

marionette-strung our outwaiting its bloody translation ...

Utopia: remember the sensation of direction we loved,

how it tunneled forwardly for us,

and us so feudal in its wake—

speckling of diamond-dust as I think of it now,

that being carried forward by the notion of human

perfectibility—like a pasture imposed

on the rising vibrancy of endless diamond-dust ...

And how we would comply, some day. How we were built to fit and

comply—

as handwriting fits to the form of its passion,

no, to the form of its passionate bearer’s fingerprintable i.d.,

or, no, to the handkerchief she brings now to her haunted face,

lifting the sunglasses to wipe away

the theory—or is it the tears?—the freight now all

in her right hand, in the oceanic place we’d pull up

through her wrist—we’d siphon right up—

marionette with her leavening of mother-of-pearl—

how she wants to be legible, how the light streaking her shades now

grows vermilion,

which she would capture of course, because that, she has heard,

from the rumorous diamond-dust, is what is required,

as also her spirit—now that it has been swallowed

like a lustrous hailstone by her unquenchable body—suggests—the zero

at the heart of the christened bonfire—oh little grimace, kiss, solo

at the heart—growing refined, tiny missionary, in your brightskirted

host,

scorched comprehension—because that is what’s required,

her putting down now the sunset onto that page,

as an expression of her deepest undertowing sentiment,

which spidery gestures, tongued-over the molecular whiteness,

squared out and stretched and made to resemble emptiness,

will take down the smoldering in the terms of her passion

—sunglasses on the table, telephone ringing—

and be carried across the tongue-tied ocean,

through dusk, right through it, over prisons, over tiny clapboard houses

to which the bartender returns, exhausted, after work,

over flare-ups of civil strife, skeletons rotting in the arms of

skeletons, the foliage all round them gleaming,

the green belly-up god we thought we’d seen the last of,

shuddering his sleep off, first fruit hanging ripe—oh bright red zero—

right there within reach, that he too may be nourished,

you know this of course, what has awakened which we thought we’d

extinguished,

us still standing here sword in hand, hand extended,

frail, over the limpid surface of the lake-like page,

the sleep-like page, now folded and gently driven into

its envelope, for the tiny journey, over offices, over sacrifices,

to its particular address, at the heart of the metropolis,

where someone else is waiting, hailstone at the core,

and the heat is too great, friend, the passion in its envelope,

doors slamming, traffic backing-up, the populace not really

abandoned, not really, just very tired on its long red errancy

down the freeways in the dusklight

towards the little town on the hill—the crystal-formation?—

how long ago was it we said that? do you remember?—

and now that you’ve remembered—and the distance we’ve

traveled—and where we were, then—and

how little we’ve found—aren’t we tired? aren’t we

going to close the elaborate folder

which holds the papers in their cocoon of possibility,

the folder so pretty with its massive rose-blooms,

oh perpetual bloom, dread fatigue, and drowsiness like leavening I

feel—

Source: The Errancy (HarperCollins Publishers Inc, 1997)